Tete Montoliu’s solo over the changes of Charle Parker’s ‘Ornithology’ is, for me, a distillation of so much that went on in the 1950s and 60s. You can hear Bud Powell and a liberal helping of Horace Silver and above all McCoy Tyner in Tete’s treatment. But there is something else – he always seems to be telling a tale. He is articulate, fluent and coherent. He uses his hard won mastery rather than simply putting it on display.
As we did with part of a McCoy Tyner solo (Link), Example 1 blocks of the right hand line into chords.
Ths is an instructive exercise as it shows the harmonic content used, it shows how we can use the structure of his solo without copying his lines, and, maybe most helpfully, it shows us where our handscouldlie over the keyboard when playing the arpeggios.